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Shri Vijayavitthala Temple

If one wants to witness the competition between man and Vishwakarma (the Architect God of Hindus), this is the place on earth. Any number of words would fail to do justice to this wonderful monument dedicated to Lord Vitthala or Lord Vishnu. Legend has it that Lord Vishnu found it too grand to live in and thus returned to his own humble home. The Stone Chariot is situated to the east of the temple hall. By far, this is the most amazing monument in Hampi and is portrayed as the icon for Hampi.

History

The construction of this temple started during the reign of King Krishna Deva Raya in the year 1513 AD. The project was so colossal that the additions continued for almost five decades until the Empire fell down in the year 1565 AD.


Architecture

Built mainly on the original Drividian Temple architecture, this temple has all the stuff a typical South Indian temple would have. There is small a main inner sanctum where the deity idol(s) are placed. Only the chief priest of the temple is permitted inside this sanctum. The smaller sanctum is followed by a bigger outer shrine where the general public is allowed. The monumental decoration of the temple can be seen mainly in this bigger outer house.

The temple stands, within high walls with 3 gateways on the east, south and north. The temple stands on a strong stone basement with richly carved designs of the King's army and dancing girls. The dancing halls and kalyanamantapas in the corners are equally worth noticing.

 

 

The carvings on this temple give an insight into the architectural splendour achieved by the artisans of Vijayanagara Empire. The temple consists of 56 musical pillars. When tapped gently, these pillars produce musical sounds. These pillars are popularly known as Musical Pillars or SaReGaMa pillars after the Saptha Swaras of the Indian Classical Music.

Reaching there

Vitthala temple complex is situated 2 km east of Hampi Bazaar. There are signs giving directions at frequent intervals which one can follow to reach there.

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